Cinema, Cinema: Press

Brooklyn New York has housed many musicians from every background for well over a hundred years. Traces of this fine burrough can be found throughout the history of instrumental and vocal companionship. But, nothing of the likes of Cinema, Cinema has really ever been heard. The complete and utter lack of traditional vanity on their third release, Exile Baby, is proof of this transcending duo’s ability to represent their home base on an entirely different front.

Fusing every genre of rock n roll, this indie treasure of an album portrays a “little something for everyone” attitude. These brick layers of disturbia create a glamorous sense of mental chaos with “I Don’t Wanna Be Your Boyfriend”, as well as the adversely reflective “Hope Dies Last”. For ambient/indie pop fans, this could just about cover enough ground to be a modern favorite. Classic, maybe?

Cinema, Cinema is one of those band of talented weirdos that appear only every now and again. Their curious blend of Radiohead and The Who inspired motives are as seemingly possible this day and age. And Exile Baby is a perfect example of a combination once considered odd, but now a daily consideration in the underground music world. Fluctuation is the new wave’s most important noun. And these guys have long had that down. But just to be sure, they churned out this creamy classic for their fans to truly understand their grasp on today’s modern standings. Cheers to such a volatile pair of once endangered servants.

Exile Baby by Cinema, Cinema

Digitone Records [CD, 2009]

1. Shine No. 1
2. The Natural
3. RX
4. Drydive
5. An Obstacle
6. I Don’t Wanna Be Your Boyfriend
7. Hope Dies Last
8. The Desperate Acts
9. Still/Life
10. Shine No. 2

Exile Baby
Digitone Records
3 Stars

Idealistically, being a two-piece band can be either a curse or a blessing. Certainly, it limits the boundaries to which you can push yourself musically, but then again, it’s much easier to keep everyone coming to band practice when it’s either you or them. Cinema, Cinema embarks down the duet road with a handful of trippy guitars and driving drums, leaving us dazed, confused and somewhat rocked along the way. Whether it is the spaced out opening of “Shiner No. 1” or the rocking riffs of “I Don’t Wanna Be Yr Boyfriend,” Cinema, Cinema pushes the experimental tag rather hard with mixed results. Sometimes they sound natural; other times they sound too weird for their own good.

The sprawling melodies of “Shiner No. 1” open the disc, along with tripped out guitars that mix with tom hits that never let up. Match this combination with eerily produced vocals and you get something that might end up on the stereo of your drug-inclined friends (not to say this track isn’t good otherwise). Instrumental track “The Natural” is a waste of track space, as the minute-long piece never actually reaches its full potential. “RX” gives us an introduction to the pedal-board excursion that this record thrives on, showing bits and pieces of different guitar sounds from dirty wahs to fuzzy riffs. This is where Cinema, Cinema does the best with impressing listeners- by combining the guitar artistry with rocking drums. This would translate well in a live show. “An Obstacle” comes across rather weak, sounding much like what The Beatles sound have sounded like had they used an effects processor but kicked Paul and George out of the band. This track misses the energy and impact of the heavier tunes, and this song is out of place.

“I Don’t Wanna Be Yr Boyfriend” picks things back up with some of the dirtiest use of wah/flange/whatever effects ever heard. Guitars certainly take the spotlight away from the vocals in this instance, which apparently is the trade-off you have to make on Exile Baby. Sure, the vocals could be better spotlighted, but with the amount of ear-opening fretwork going on they should stick with keeping that portion of the band’s sound intact. “Hope Dies Last” pushes the tempo with relentless hi-hat sticking that opens up into a rocking tune that for the most part, relies more on drums and vocals than guitars. It is a huge change from the aural string assault on the tracks before and after this one, and it makes this track stand out because it keeps up the energy without sacrificing too much of what you expect to hear.

“The Desperate Acts” starts with building drums and riffing with punches of ambient guitar and haunting vocals, allowing for a slower feel for much of this track. Again, it works because you’ll hear enough between the never-let-down drums and funky guitars to stay interested, though some would consider such string-laden nonsense a waste of time. The nearly seven-minute long “Shiner No. 2” opens with a fury of toms, cymbals and snare hits that get slightly drowned out by the atmospheric guitars that should be more in the background. A droning tom beat anchors the proceedings behind some interesting (to say the least) guitar work that borderlines between sparse, sprawling melodies and mindless noodling. This is a tough track to get into, and it’s slightly weak.

There are some really fine moments of musicianship for Cinema, Cinema on Exile Baby. Considering this is the first full-length from the band, it will be interesting to see what parts of this record they will develop further as they continue to write new songs. Hopefully they pick the right ones.

Cinema Cinema Exile Baby (Digitone)
There's a certain old-school 80s rock vibe to this. Somewhere between the Flaming Lips and U2 (we're talking the 80s versions, of course). The only thing missing is the middle, which robs the pieces of their potential power. But I will say that the mix makes for an interesting sound.

Cinema, Cinema is not typical of bands coming out of Brooklyn. With only two members, it is impressive how much noise they can make. On their third album Exile Baby, tracks vary widel, from grunge, to punk, and pop. The album is enjoyable, an eclectic work with songs that can appeal to all tastes. The music is innovative and experimental, producing a unique sound that will mainly appeal to the psychedelic music realm.

One song that does not seem to fit in the album is “An Obstacle.” It is a well-constructed piece with softer instrumentals and cleaner vocals. It’s a well thought out song with meaning; it doesn’t seem “unfinished” like the rest of the songs on this album. The rest of the tracks produce a jumbled and messy noise one might hear being played from a neighbor’s garage, a sound which some may describe as a beautiful mess.

The other moment on the album that has the potential to grab the ears of the masses is “Still/Life.” This song evokes a lot of emotion with its poetic lyrics and soul drenching instrumentals. This song, unlike many of the other songs on the album, makes that unique connection between artist and listener. The eerie yet gorgeous song speaks of a “man who lost his love.” While Gold sings with such conviction and heartbreak, it is hard to not become fully entrapped in this mesmerizing number. Some may say that the ‘90s are back, but on Exile Baby, it’s apparent they were gone in the minds of this duo.

When you hear the name Cinema Cinema you either think of something poppy, or something pretty epic, and somehow the band manages to be equal parts of both. They’re certainly not Fall Out Boy, nor are they Man’O’War, but they manage to blur plenty of lines.

Exile Baby, the band’s first full length album, contains a wide variety of sounds, certainly more diverse then most of the indie bands coming out of Brooklyn. One thing that is consistent is that this album rocks. Throughout, the band employs plenty of effects, serious guitar work, drums and various other instruments. It’s impressive how much noise this two-piece can make. The tracks vary wildly, from a grunge-infused rocker, to some punk, and things even get a bit poppy at moments.
Overall, Exile Baby is a good album. There are a number of different sounds, and many of the songs might not appeal to all tastes—but if you’re feeling eclectic, then Exile Baby deserves a listen.

Brooklyn's Cinema, Cinema celebrated a new lineup and new direction in 2008 with the release of their third CD (and first full length release), Exile Baby. Paul Claro (drums) and Ev Gold (guitars/vox) navigate through ten songs that range from alternative rock to an ambient, avant-garde style that defies labels. The duo has showcased their sounds at numerous clubs around the New York City metro area and even at CMJ (for the third year running) in 2008.

Shiner No. 1 is an ambient exercise that borders on aural psychedelia. Gold's vocals stretch to their limit as they soar over the musical landscape laid down here. RX is a driven modern rock tune full of jangly guitar and quasi-stream of conscious lyrics. Drydive builds from ethereal footstones into a driving, grungy rocker with a garage aesthetic. I Don't Wanna Be Your Boyfriend takes on a Punk aspect with a lot of sonic interference on guitar in a song that threatens to fly off the sonic rails at several points but never quite crashes. The sound throughout Exile Baby is lo-fi; the production values primitive, but the net effect is an intriguing and enjoyable listen. Other highlights include Hope Dies Last and Still/Life.

Cinema, Cinema brings the underground to your doorstep with Exile Baby. If you wonder what goes on in the basement studios and rehearsal rooms in a place like Brooklyn, this is a good example. A pop producer would do a lot with Cinema, Cinema's sound that might make them more commercial, but it’s highly questionable whether it would be an improvement in their sound. In artistic terms this is American Primitive music, and Cinema, Cinema has a unique sound that will appeal to folks in the Avante-Garde and Psychedelic music realms.

The Brooklyn two-piece has been hitting the pavement hard in the new year in support of their 2008 release Exile Baby. "The addition of drummer Paul Claro, who sounds like he is doing drum rolls with eight arms, has shown to be the perfect time keeper for (Ev) Gold to attack his guitar riffs and effects pedals the way that Jackson Pollock would attack his canvas." -CMJ The band has perfected their intense live act leaving the stage dripping and bloodied after each attack. Catch them this spring at one of the following: 3/14 9PM @ North Star Philly,PA- 3/18 10PM @ Piano's NYC- 3/26 9:30PM @ Europa BKLYN,NY- 3/27 9PM @ The Red & The Black Washington,D.C.- 3/28 9PM @ Chop Suey Richmond,VA- 4/3 10PM @ Cousin Larry's Danbury,CT- 4/4 9pm @ The Vixen Provincetown,MA- 4/16 11:30PM Goodbye Blue Monday BKLYN,NY- 4/23 9PM @ Vanishing Point BKLYN,NY- 5/6 9PM @ The Annex NYC- 5/21 10PM @ Don Pedro's BKLYN,NY- 5/22 9pm @ The Space Hamden,CT - 6/13 3PM @ Digitone Records Rock show in Tompkins Square Park NYC...

Surely Brooklyn duo Ev Gold (guitar, keyboards) and Paul Claro
(drums, percussion, woodwinds) are baiting cineastes with their
screen-tastic name. Well, I'll bite. If I didn't like their full-length
debut, I'd be doubly bummed—I write about movies for a living—
but I glommed on to their SST-style psych-rock from the start.

Hüsker Dü meets the Flaming Lips
by way of Das Damen with some Doors and Sabbath on the side.

Exile Baby -review

Hey, roll me a Dooby! Experimental vibes from Brooklyn that’ll keep you fascinated for hours… Extraordinary vocally intense sounds, madness evolves… More fun than is allowed! “Hope Dies Last” rocks like a Fergal Sharky on a suppergliderocket to… well you get the pic!

On their first full-length Exile Baby, Brooklyn's Cinema, Cinema have created a musical melting pot full of sonic soundscapes, avant pop and good old-fashioned rock songs. After two EP's with earlier incarnations of the band, singer/ guitarist Ev Gold has reformed the outfit into a pounding two-piece that allowed him the space and creativity to record the epic album he was striving for on the previous efforts.

The addition of drummer Paul Claro, who sounds like he is doing drum rolls with eight arms, has shown to be the perfect time keeper for Gold to attack his guitar riffs and effects pedals the way that Jackson Pollock would attack his canvas. The album kicks of with "Shiner No.1," an atmospheric journey into the art of sound, followed by a minute-long haunting instrumental that serves as the true foundation for the LP. Often times it's hard for a band to take the raw power and intensity of their live gigs and translate that in the studio, but tracks like "The Desperate Acts," "Drydive" and "I Don't Wanna Be Yr Boyfriend" show this was not even close to an issue. Each song is filled to the brim with floor-trembling drums, sleazy guitars and gut-wrenching vocals that garner fist-pumping status.

Gold's intellectual lyrics are often overshadowed by the crunching music that is being played along with them, but that's what makes the songs what they really are, just beautiful poetry paired with soul drenching music. The album's overall vibe is very dingy and dark, like a back alley in New York City in the early '70s, but the band also creates elegant rock numbers that teeter on '50s r&b, funk and a pinch of '80s rock ballads. In the eerily gorgeous "Still/Life," Gold sings of a "man who's lost his love" with such heartbreak and conviction, you can understand why the album took on the dark undertones in which it did.

You can hear the yearning and hunger even in this band's recorded works. Instruments are punished, not played. Vocals are howled, not sung. Even in their more mellow moments, the rising tension is palpable. When they erupt, it's not the straight-to-the-gut riffs and crashing rhythms that you notice so much as the raw catharsis. Reviews of their live shows tell of blood-stained guitars and pummeled drums. Dig It: Yield-era Pearl Jam, Pablo Honey-era Radiohead, MC5.

Cinema, Cinema - Drydive FensePost Brooklyn New York has housed many musicians from every background for well over a hundred years. Traces of this fine burrough can be found throughout the history of instrumental and… Read full post »

Best Buy distributes Cinema, Cinema album, "Exile Baby" in various local markets and at Best Buy online.

Exile Baby - CD
Cinema Cinema | SKU: 9325303 | Release Date: 11/25/2008
Price: $9.99

Cinema Cinema in Time Out New York

Up and coming rockers Cinema Cinema were recently featured in Time Out New York as one of Brooklyn’s buzz worthy acts. Read about it and see the pages HERE.

CMJ features Cinema, Cinema new album, "Exile Baby" as 17 on college radio charts:

Exile Baby went for ads at college radio week of 4/20 and came in at 17th amongst new records on the CMJ charts. Cinema, Cinema continues to tour non-stop...bringing Exile Baby everywhere, with 10 shows coming up in May...5/1 @ the charleston in bk,ny - 5/2 @ plaza bowl in richmond, va - 5/6 @ lit in nyc - 5/8 @ bar saints & sinners in hoboken, nj - 5/9 @ outback lounge in charlottseville, va - 5/13 @ the court tavern in new brunswick, nj - 5/21 @ don pedro's in bk, ny - 5/22 @ the space in hamden, ct - 5/23 @ radio bean in burlington, vt - 5/24 @ all asia in cambridge, ma.......///// "SST-style psych-rock" -AndMoreAgain Blog //////"this is American Primitive music, and Cinema, Cinema has a unique sound that will appeal to the Avante-Garde and Psychedelic music realms" - Wildy's World Blog/////"song structures thatÂ’d make Zappa proud" Philadelphia Weekly Blog////photo by jo (c)2009 www.flickr.com/marleymarlz

Hype Machine Picks up Cinema, Cinema "Exile Baby" track Cinema Cinema - I Don't Wanna Be Your Boyfriend * Instrumental Analysis Yeah, it is about that time for bands to migrate southward towards Austin and the music festival know as SXSW. Philly and Baltimore are very sparse, DC has a bit… Read full post »

5 Questions with...
Ev Gold of CINEMA CINEMA
www.cinemacinemaband.com

1. If I knew absolutely nothing about Cinema Cinema, how would you describe the group’s music to me?
-- interesting. surprising. cerebral. its head music really. we kind of naturally cross over about three different genres, which some bands might
look at as a curse, but we see it as an advantage. we have dark and hard angular-riffs, some almost throw backs to heavy music of the 70s, with intense and thunderous drums that pound out an incendiary vibe that people
who dig heavier music always go for. we have been told its "sabbath" like.

we go places with the music that are totally improvised live, we always play different versions of the songs with new sections and meditations and
we really stretch the dynamics to a point far beyond, trying to achieve "new" sounds in a music world that rarely concerns itself with something challenging, we strive to challenge....which lends itself to those who dig
experimental stuff.....and its loud and awash in effects which the shoegaze peeps dig. we hit a certain point and turn it to 11 and that brings the punks. we also have song structure and melody beneath the madness, which catches the ear of the more moderate alternative listener.

if coltrane sat in with black flag and they got into a street fight with nirvana and then lou reed came and pissed down all their backs while a car flew by with rage against the machine blasting out the window with a fugazi sticker on the bumper, you would be getting kind of close.

2. If I were to buy your new album Exile Baby, what songs should I pay particular attention to and why?
-- "i don't wanna be yr boyfriend" - it has a riff that sounds like godzilla screaming and it rattles in yr body like fresh bullet.

"drydive" - pounds directly to the point of controlled madness. chaos with only a hint of redemption, cause nothing comes for free.

"an obstacle" - a beautiful grrrl from another time stuck in the middle of a record about the apocalypse. like a sight for sore eyes.

"hope dies last" - cause any song that ends with the lyrics "i won't die
in this role that i've been cast", deserves a listen just for the guts involved alone. and its like a tight welter-weight boxer, quick and consistent to the punch.

dude, i could do this for the whole record, so i will stop now.

3. When and where did the band form?
-- the incarnation of the band currently (a 2 piece, with myself playing guitar/singing and my cousin paul playing drums) is the second version of the band (the 3 piece lineup did 2 ep's) but is definitely the definitive
version that will always stay from here forward, so i guess i will start from then.

in december of 2007, i was trying to find a new bass player and drummer for cinema, cinema - after the original line-up disbanded (amicably) - and i caught one of paul's shows with his previous band and i was just
floored. i knew that night that if we had a band where he did what he was best at (which is the tightest version of absolute madness that i have ever seen, he is capable of literally anything behind in the kit) and i
did what i do best (experiment with the guitar in ways that make it sound at once, nothing like a guitar and also exactly like the best guitar you have ever heard) - we would be fine.

we jammed together for the 1st time on january 11th, 2008 and knew immediately that this was what we had both been working towards and waiting for. we haven't stopped to take a breath since. we recorded exile baby over the course of 2 days in late june and mixed it in july. released it in november. have played shows all over the eastern seaboard since and continue to aggressively. matter of fact, had a gig the nite before last in nyc and a gig tonight in bushwick, brooklyn... rock n roll will never die, hey hey my my.

4. What was your worst on stage experience? What was your best?
-- maybe not worst, but at the least - distracting. at the 2nd show that paul and i did together on march 14th 2008, at the now-defunct luna lounge (a great great spot in williamsburg) i was wearing a pair of favorite old
comfortable jeans that were already pretty "warn in" (i.e. holes in the knees, thighs, crotch - area)... and probably about 2 songs in, i was freaking out (as usual) and the entire crotch just fell apart, all the way back through to the ass. it was revealing to say the least. i am saving
those jeans for the rock n roll hall of fame, they're in my closet.

best, probably on stage at the midpoint music festival in Cincinnati, Oh last sept. you see, i had always dreamed of being in a band that really
toured all over when i was 16 and had joined my first band. in those dreams i always wanted to wake up in Cincy (for some strange reason, maybe it was just the name that intrigued me and also, i was a huge pete rose
fan) and have a gig and sing the theme to WKRP in Cincinnati at some point mid show... i loved that show and it just seemed like something a front man should do. at least a front man that i would be a fan of.

i got to live that dream about 4 songs into our set at the festival and got a packed out bar full of people who didn't know us until that night and that moment, to sing the whole thing along with me. that's success.

5. Do you think that the Internet (whether it be Internet radio, legal downloading, MySpace, streaming audio, etc.) is a good tool for musicians or is it a bad thing because it hinders profits?
-- the internet is the best thing possible that ever happened to the music business. take it from someone who was in an active band in the mid 90's,
before the computer was even an option for promotion and to spread the word. and also, someone who runs his own label and does all his own
booking and promotions, ...i mean, we have a deal with a label (Digitone Records in Richmond, VA) mainly as our distributor/merch factory and supportive business partner who takes care of us, its in conjunction with the lumiere label, which is my thing. i do everything on the other side of that for the band, i handle the meat and potatoes... and do it all on any computer that is close to my hands at any and all hours. its key. without it you just sit around and wonder. with it, you can move mountains.

now you can record a few tunes and post them and ANYONE in the world can find yr art. its almost way too much, but being an artist who relies on that kind of platform i can't knock it. its kind of scary because computers have no limits, they have no laws really. they are pretty punk
rock actually. i am sure when the robots come to take over they will work in concert with the computer uprising and wage war until Lars Ulrich gets every last dollar back that he lost to Napster.

The other night I went to Piano’s to check out Cinema, Cinema, who have been ferocious the last few times I caught them live. This time around, I was hoping the band would play some new material or at least something I haven’t heard the last three times I saw them perform.

Well, I got exactly what I was hoping for. The Brooklyn art-rock collective pummeled through a set of all new songs, and left me wanting more. I sat down with frontman Ev Gold to see where the state of the band is and when we can get a listen to some new recordings.

Tom Duffy: So the name of the band is Cinema, Cinema. To me cinema is mostly a visual experience. Do you go for a visual quality with your songs?

Ev Gold: I’m most interested in spinning out more of a panorama then painting a portrait. To me it’s more about a composite of feelings turned into a message then story telling, although story telling is a great art. I’ve always loved music that I could close my eyes to and see dancing in my head, like in 3-D.

That’s what I want to give off when I play, you know? I knew I was doing something right last year, I think sometime in August, I opened my eyes mid-set and noticed a tall black man standing very close to the stage front and swinging freely to the sounds. After the show someone introduced him to me, not that I was Mr. Unapproachable, I was just a sweaty mess in post-gig gear-packing mode. But you see, he had someone introduce him because he was 100% blind. His name was Elliot and he was taken by the set. He told me how he was a musician and what he saw through his ears that night. That’s when I first felt like we were doing something right.

Go ahead and call me crazy.

TD: I really noticed the newer songs tonight, ones that I know aren’t on the Viva! E.P. “I Drink Like A Criminal” might be my favorite and also “A Certain Emergency.” Are you guys doing a new record later this year?

EG: Glad you picked up on the new ones. A lot of the set is new. “I Drink Like A Criminal” is a cool new sound for us. I think we are trying to mix gritty solo Lennon, like “Gimme Some Truth” or “How Do You Sleep?” with a turn around that calls on Hendrix – and I know that is bold. We don’t approach the songwriting with any specific plan, but I think we are starting to deviate from that. We will challenge ourselves to go to places we haven’t before.

We are going to record a new thing later this year and put it out ourselves. We have thought of just financing it ourselves and giving it away at gigs, I know that sounds insane. We just feel like art should be shared, not offered for green paper. But I guess we need to eat and buy new gear. Look for new music from the Cinema by the fall or around CMJ Music Marathon time, which sounds cool to me.

TD: One last thing – What’s your favorite song?

EG: Wow, so tough obviously. Ok, Lou Reed, “Street Hassle.” Period.

Also on the bill for this show is locals Surprise! Arizona and Brooklyn's Cinema Cinema. I would make every attempt to go to this show. They then head to Baltimore for one more show with The Shackeltons, this time joined by Magic Missile.

mp3: Cinema Cinema - I Don't Wanna Be Yr Boyfriend (via band's website)

NY Band Briefs:

Cinema, Cinema is a Brooklyn-based indie rock band backed up by members Paul Claro (drums) and Ev Gold (vocals, guitar). If you want to experience the madness of passion meeting noise on drums and guitar with an extreme amount of focus and drive, then check out one of their shows. Luckily for us locals, they perform quite frequently at familiar venues such as Pianos, Matchless and Lit. Known to be fierce both recorded and live, their music, although carefully composed, sounds epic and spontaneous, like they’ve accidentally been caught jamming. But the raucous and catchy melodies are no accident. Take the song “Drydive” as an example; they combine some serious riffs and fast drumming with elaborate, dramatic lyrics, a combination that won’t disappoint if you’re in the mood for a sincerely badass band.

Cinema, Cinema played Stranded In Stereo's party at Fontana's last Wednesday.

I have been hearing about Cinema, Cinema for some time but the band live set is really something to see. The band plays with a brutal ferocity and energy that reminds me of some of the bands that used to record for Amphetamine Reptile Records in the late 80's/early 90's. Fans of bands like Vaz, Hammerhead, Helmet and The Melvins would do well to give Cinema, Cinema a listen.

Cinema, Cinema is now down to a two-piece (which leads to easy comparisons to Vaz) and the video below captures the first two songs from the band's set.Cinema, Cinema's new disc, Exile Baby, is due out November 25th on Digitone Records. The band is playing The Vanishing Point (240 Meserole Street, Brooklyn) on December 5th and Public Assembly on December 19th.

What's going on Wednesday?

tonight in NYC
* Holiday Shores, Cinema, Cinema, J DiMenna @ Cake Shop

Time Out New York names Cinema, Cinema as one of BKLYN's Buzz-worthy Bands to Play this Year's MMNY:

Make Music New York is back for a third year of over 875 free concerts in public spaces throughout the five boroughs of New York City, all on the first day of summer. On Sunday, June 21, from 11 in the morning until 10 at night, musicians of all ages and musical persuasions — from hip hop to opera, Latin jazz to punk rock — will perform on streets, sidewalks, stoops, plazas, cemeteries, parks and gardens.....

Indie 200
Buzz-worthy bands in Brooklyn: Casey Shea, Cinema, Cinema, Dinosaur Feathers, Lowry, Renminbi, Sigmund Droid, and almost 200 more.

Deli magazine listing:
Cinema Cinema @ Goodbye Blue Monday
1.6.09
11PM
1097 Broadway
Brookyln NY 11221

The Deli NYC - All about the New York City Indie Rock, Folk and Other Music Scenes!

The website entirely focused on the New York City indie rock music scene, mp3s, blog, free music, links, reviews, interviews, band and venue information, new music and more. Plus, advice about recording and musical equipment

Cinema, Cinema @ Goodbye Blue Monday Sounds Like Brooklyn Festival curated by BAM 2/12 @ 12AM www.cinemacinemaband.com